This paper aims at investigating the vocabulary of thingness in the thought of Henry of Ghent. The paper features two main parts: in the first part we try to clarify the statement and the implications of the distinction between the concept of res a reor, reris and the concept of res a ratitudine. On the subject the thesis argued that this distinction has essentially an epistemological function in Henry of Ghent's thought. The second part of the paper, instead, takes into (...) consideration the concept of realitas as it is formulated by Henry in some sections of his Quodlibeta. The argued thesis is that realitas is not a synonym of being, but rather designates the inner foundation of every ontological attribution. (shrink)

Humility was perceived in the Christian Middle Ages as a fundamental moral and intellectual quality, opening the way for access to the divine. How this access occurred, and for what kind of people, was dependent on different theological and philosophical presuppositions. The role of humility was thus moulded according to different anthropological and noetical models. By the end of the 13th century, the «question de l’humilité», as Alain de Libera posed it, had also become a locus for confrontation and definition (...) between different intellectual identities. This study focuses on the role that the secular master Henry of Ghent assigned to humility for approaching and transmitting divine truth, both from the perspective of the single individual and of the Christian community. Some topical categories describing essential features of humility – low/high, the ladder, interior/exterior, empty/full – aid in the analysis of some passages from the works of this theologian. (shrink)

Objective: Fertility loss due to cancer treatment can be a devastating experience for women and the couple. Undergoing fertility preservation can be a complex decision from both a medical and emotional point of view. The aim of the present study was to evaluate which socio-demographic and psychological factors predict a high motivation to undergo fertility preservation.Methods: Fifty-eight female cancer patients who accessed an Oncofertility Unit completed: a questionnaire to collect socio-demographic characteristics and the level of motivation, the Beck-Depression Inventory-II, the (...) State-Trait Anxiety Inventory-Y, and the Fertility Problem Inventory.Results: Almost half of the sample declared a high motivation. At multiple logistic regression analysis only the “Need for parenthood” subscale of the FPI predicted a high motivation. We alternatively evaluated as possible predictor the construct “Representations about the importance of parenthood” in place of the two separate subscales. At multiple logistic regression analysis, only this variable predicted a high motivation to undergo fertility preservation.Conclusion: The most important predictor of a high motivation to undergo fertility preservation is the individual desire for parenthood. This implies that, regardless of socio-demographic characteristics, any woman of childbearing age should receive an appropriate counseling about fertility preservation. (shrink)

In the first part of this paper, published in issue 1 of Augustinianum 63 (2023), 9-45, we examined the question of whether Irenaeus of Lyons depended on the Exposition of Logia about the Lord of Papias of Hierapolis. In this second and final part we focus on the way Irenaeus used information which, since the first decades of the second century, had been attributed to presbyters of Asia and then in particular on the way he identifies the succession of presbyters (...) with that of bishops (primarily in Rome). He links the latter with Christian origins but also profoundly alters the function traditionally attributed to the presbyters themselves, within a system he devised in order to respond to urgent problems, in a context quite different from the era in which the traditions to which he appeals were born. (shrink)

Despite the remarkable advances in behavioral and brain sciences over the last decades, the mind/body (brain) problem is still an open debate and one of the most intriguing questions for both cognitive neuroscience and philosophy of mind. Traditional approaches have conceived this problem in terms of a contrast between physicalist monism and Cartesian dualism. However, since the late sixties, the landscape of philosophical views on the problem has become more varied and complex. The Multiple Realization Thesis (MRT) claims that mental (...) properties can be (or are) realized, and mental processes can be (or are) implemented by neural correlates of different kinds. Thus, MRT challenges the psychoneural type-identity theory and the corresponding reductionism. Many philosophers have acknowledged the a priori plausibility of MRT. However, the existence of empirical evidence in favor of intraspecific, human multiple realizations of mental processes and properties is still controversial. Here we illustrate some cases that provide empirical evidence in support of MRT. Recently, it has been proposed that foveal agnosic vision, like peripheral vision, can be restored by increasing object parts’ spacing (Strappini et al., 2017a; Crutch and Warrington, 2007). Agnosic fovea and normal periphery are both limited by crowding, that impairs object recognition, and provides the signature of visual integration. Here we define a psychological property of restored object identification and we cross-reference the data of visually-impaired patients with different etiologies. In particular, we compare the data of two stroke patients, two patients with posterior cortical atrophy (PCA), six cases of strabismic amblyopia, and one case with restored sight. We also compare these patients with unimpaired subjects tested in the periphery. We show that integration (i.e. restored recognition) seems to describe quite accurately the visual performance in all these cases. While the patients have different etiologies and different neural correlates, the unimpaired subjects have no neural damage. Thus similarity in the psychological property given the differences in the neural substrate can be interpreted in relation to MRT and provide evidence in its support. Finally, we will frame our contribution within the current debate concerning MRT providing new and compelling empirical evidence. (shrink)

L’analisi di un periodo storico attraverso la sua narrazione, sia esso il Medioevo o persino un’epoca più recente, considera una moltitudine di fonti, assai eterogenee e di forma non sempre immediata. In alcuni casi uno studioso può nutrire un interesse perfino secondario per un documento storico in sé, rivolgendo l’attenzione alle _motivazioni_ e al _contesto_ che hanno portato alla creazione e alla conservazione di una testimonianza, sia essa scritta, orale o iconografica. La lettura del passato apre diverse prospettive: è possibile (...) rintracciare un genere narrativo che più di ogni altro meglio descrive il Medioevo? In quale senso una fonte arricchisce la nostra conoscenza del passato? È sensato estendere lo studio a testimonianze non strettamente testuali o iconografiche, come le mappe geografiche? La riflessione che poggia su questi quesiti rivela un Medioevo in parte inventato, una fantasia che non è tuttavia l’ombra del passato storico, bensì il suo complemento. _Analysing an historical period, such as the Middle Ages, or a more recent era, through its narration, must take into consideration many heterogeneous sources, whose form is not always immediately identifiable. In some cases, scholars may even have a secondary interest in a specific historical document, preferring to study the _motivations_ and _context_ behind its creation and conservation of historical testimony, either written, spoken or iconographic._ _Interpreting the past opens up different perspectives: is it possible to determine a single narrative genre able to describe the Middle Ages better than others? In what sense does a historical source enrich our knowledge of the historical past? Does it make sense to include in the study of history, sources that are not strictly textual or iconographic, such as a geographical map?_ _Reflecting on these questions reveals an invented aspect of the Middle Ages, a fictional portrait that not only brings into view history__’s shadow but also complements it_. (shrink)

'Io poi ho sempre pensato--scrive Henri Matisse nel 1935--che gran parte della bellezza di un quadro derivi dalla lotta impegnata dall'artista con i limiti del suo mezzo espressivo.'" Le sue parole riassumono bene il tema di questo libro, la lotta dell'artista con la materia dell'arte, dunque il ruolo fondamentale della costruzione concreta dell'arte rispetto all'idea. L'opera d'arte--una composizione, un romanzo, un dipinto, una scultura, un film--è il risultato di un atto intellettuale consapevole--dunque di un'idea--dove tuttavia entra in gioco l'azione concreta, (...) materiale del fare artistico, che inevitabilmente pervade e condiziona l'opera fin dal momento in cui essa inizia a prendere forma sul pentagramma, sulle righe, sulla tela, sulla pellicola. L'immagine iniziale o idea può mantenere inalterata la sua forza oppure trasformarsi nel corso del lavoro, ma il più delle volte serve soprattutto da stimolo, perché a poco a poco--come scrive Italo Calvino--la materia resta padrona del campo e offre il suo prezioso, indispensabile alimento all'immaginazione. È solo mentre si scrive o dipinge che la fantasia dona i suoi frutti, in astratto la materia è ancora troppo lontana per suggerire combinazioni, accostamenti, soluzioni, scoperte. Le testimonianze dei maggiori protagonisti delle arti del '900, qui ampiamente riportate, confermano nella sostanza la tesi del libro: anche il pittore più desideroso di trasmettere un messaggio e di contribuire attraverso la sua arte alla crescita civile della società, quando riflette sul proprio lavoro difficilmente può negare che l'opera sia il risultato talvolta inatteso di un percorso accidentato nel quale l'azione concreta, materiale del fare artistico entra in gioco giungendo in alcuni casi a modificare in modo radicale le intenzioni originali. L'arte--scrivono Fellini, Mirò, Calvino, Stravinsky e tanti altri--si fa facendola. Sul piano interpretativo ciò comporta un radicale ridimensionamento del ruolo messianico dell'artista, il quale spesso non ha alcuna intenzione o pretesa di comunicare qualcosa di fondamentale, è perso in questo mondo esattamente come tutti noi. 'Giornalisti curiosi e amatori di pittura'--scrive Picasso--vengono a vederci per trarre da noi verità dogmatiche o definizioni che potrebbero spiegare loro la nostra arte, mettendo in rilievo il suo valore pedagogico, valore che io nego categoricamente. Noi facciamo della pittura. Vorrebbero forse che, per aggiunta, noi fossimo fabbricanti di verità e di massime?'"--Back cover. (shrink)